Henry Holiday, Last Supper Mosaic
Designed by Henry Holiday, 1887-1889
Burd Children's Monument, Carl Steinhauser, 1852
Memorial to the children of Eliza Howard and Edward Shippen Burd. The sculpture resides in a side chapel designed for it by Richard Upjohn. Both the chapel and the sculpture rest on the Burd family burial site.
A. Zeno Shindler, Painting of the Church Interior
Detail of Last Supper mosaic
Designed by Henry Holiday, 1887-1889.
Life of St. Stephen Altar Screen
Burd Children's Monument, Carl Steinhauser, 1852
Memorial to the children of Eliza Howard and Edward Shippen Burd. The sculpture resides in a side chapel designed for it by Richard Upjohn. Both the chapel and the sculpture rest on the Burd family burial site.
Burd Baptismal Font
Carl Steinhauser sculpted this monumental baptismal font for Eliza Howard Burd, who gave it to the church in 1857.
Detail of Burd Children's Monument, 1852
Memorial to the children of Eliza Howard and Edward Shippen Burd, sculpted by Carl Steinhauser. The marble sculpture represents the Angel of the Resurrection waking the children for their ascent into heaven.
Burd Canopy Tomb, c. 1860
Memorial to Edward Shippen Burd commissioned by his wife, Eliza Howard Burd. Designed by architect Frank Wills and sculpted by Henry Kirke Brown.
Burd Children's Monument, Carl Steinhauser, 1852
Memorial to the children of Eliza Howard and Edward Shippen Burd. The marble sculpture represents the Angel of the Resurrection waking the children for their ascent into heaven.
Detail of Burd Canopy Tomb, c. 1860
Memorial to Edward Shippen Burd commissioned by his wife, Eliza Howard Burd. Designed by architect Frank Wills and sculpted by Henry Kirke Brown.
Tiffany Studios, Baird Ornamental Rose Window, 1914
Given in memory of Marie Louise Baird by Mr. J. Watson McKeehan and his wife.
Tiffany Studios, Baird Ornamental Rose Window, 1914
Given in memory of Marie Louise Baird by Mr. J. Watson McKeehan and his wife.
Tiffany Studios, Christ with the Children, 1913
Given in memory of James Matthew Arrison, James Maurice Arrison, Charles Eugene Arrison, and William Ernst Arrison by Annie D. Arrison and her three sons.
Tiffany Studios, "Come Unto Me" 1898
Also known as, “Welcoming Christ”
Given in memory of Albert Pancoast by his wife and daughters.
Tiffany Studios, "Welcoming Christ," 1898
Also known as “Welcoming Christ”
Given in memory of Albert Pancoast by his wife and daughters.
Alfred Godwin, Women at the Tomb, 1903
Given in memory of Eliza Graham McDowell by her husband, John Austin McDowell.
St. Paul and St. Stephen, c. 1880
Given in memory of Robert Eglesfeld Griffith and his wife Maria Thong Griffith by their daughter.
Abraham and the Three Angels , 1879-1880
Given in memory of James Magee by his son Horace Magee. Designed by Henry Holiday for James Powell & Sons.
Also known as “Abraham’s hospitality to three angels disguised as strangers”
Detail of Abraham and the Three Angels, 1879-1880
Given in memory of James Magee by his son Horace Magee. Designed by Henry Holiday for James Powell & Sons.
Rebekah at the Well with Eliezer, 1879-1880
Given in memory of Carrie L. Magee by her brother Horace Magee.
Designed by Henry Holiday for James Powell & Sons.
Rebekah at the Well with Eliezer, 1879-1880
Given in memory of Carrie L. Magee by her brother Horace Magee.
Designed by Henry Holiday for James Powell & Sons.
Magee Windows on East Wall
Lower Window: “Abraham and the Three Angels”, 1879-1880
Given in memory of James Magee by his son Horace Magee. Designed by Henry Holiday for James Powell & Sons.
Upper Window: “Rebekah at the Well with Eliezer”, 1879-1880
Given in memory of Carrie L. Magee by her brother Horace Magee. Designed by Henry Holiday for James Powell & Sons.
D'Ascenzio Studios, Dorcas Window, after 1923
The widow Dorcas giving clothing to a needy widow.
Given in memory of Anna J. Magee by the congregation
D'Ascenzo Studios, Ascension of Christ, 1918
Given in memory of John Austin McDowell by an unknown donor.
Tiffany Studios, Christ and Nicodemus, 1911
Given in memory of Robert Everest Atmore by his wife.
Detail of Tiffany Studios, Christ and Nicodemus, 1911
Given in memory of Robert Everest Atmore by his wife.
Tiffany Studios, Christ and Nicodemus, 1911
Given in memory of Robert Everest Atmore by his wife.
View of south wall windows
Armstrong Maitland, Faithful Witness, c. 1903
Given in memory of Henrietta C. Wilkins by her niece M. S. Wilkins
Armstrong Maitland, Faithful Witness, c. 1903
Given in memory of Henrietta C. Wilkins by her niece M. S. Wilkins
Full name of window is “Faithful Witness--Angel honoring the sword of the spirit and anchor of the soul”
Tiffany Studios, Price / Gamaliel Window, 1914
Gamaliel, doctor of the law, arguing against execution of the apostles.
Given in memory of William S. Price
Tiffany Studios, Life of St. Stephen altar screen, c. 1917
Given in memory of Fannie S. Magee by her sister Anna J. Magee.
Left panel, top to bottom: Stephen’s ordination as deacon; Stephen preaching; Solomon building the Temple; Moses with the Law
Right panel, top to bottom: Destruction of the Temple; brotherly love and company of priests; Stephen before the Sanhedrin (city council)
Center panel, top to bottom: heavenly city(?); stoning of Stephen flanked by lights representing the mob; St. Paul with his sword.
"Come Unto Me"/"Welcoming Christ" and ornamental window from 1820s or later
D'Ascenzo Studios, Ornamental windows on facade, 1921
Created by D’Ascenzo Studios in 1921. Includes the from three windows as well as those on the towers facing 10th street.
Tiffany Studios, detail of Life of St. Stephen altar screen (right panel), c. 1917
Given in memory of Fannie S. Magee by her sister Anna J. Magee.
Left panel, top to bottom: Stephen’s ordination as deacon; Stephen preaching; Solomon building the Temple; Moses with the Law
Right panel, top to bottom: Destruction of the Temple; brotherly love and company of priests; Stephen before the Sanhedrin (city council)
Center panel, top to bottom: heavenly city(?); stoning of Stephen flanked by lights representing the mob; St. Paul with his sword.
Tiffany Studios, Detail of Life of St. Stephen altar screen (center panel), c. 1917
Given in memory of Fannie S. Magee by her sister Anna J. Magee.
Left panel, top to bottom: Stephen’s ordination as deacon; Stephen preaching; Solomon building the Temple; Moses with the Law
Right panel, top to bottom: Destruction of the Temple; brotherly love and company of priests; Stephen before the Sanhedrin (city council)
Center panel, top to bottom: heavenly city(?); stoning of Stephen flanked by lights representing the mob; St. Paul with his sword.
Tiffany Studios, Detail of Life of St. Stephen altar screen (left panel), c. 1917
Given in memory of Fannie S. Magee by her sister Anna J. Magee.
Left panel, top to bottom: Stephen’s ordination as deacon; Stephen preaching; Solomon building the Temple; Moses with the Law
Right panel, top to bottom: Destruction of the Temple; brotherly love and company of priests; Stephen before the Sanhedrin (city council)
Center panel, top to bottom: heavenly city(?); stoning of Stephen flanked by lights representing the mob; St. Paul with his sword.
Steinway Concert Grand Piano
Steinway Concert Grand Piano
1853 Church Exterior
St. Stephen's Chancel after 1890
St. Stephen’s chancel after 1890. Holiday 1889 mosaic mural, George C. Mason 1890 reredos, stained glass commissioned by Richard Upjohn c. 1852, maker unknown
Furness Transept, 1917
St. Stephen's Farm
Retreat and summer camp for city workers beginning in 1898
Facade
St. Stephen's Facade, with Mason Parish House and Furness transept (far left)
William Strickland
By John Neagle, 1829
Midday Lent
Anna Magee
Carl Grammer
S. McConnell
Eliza Howard Burd
From Burd School Pamphlet
William Rudder
Tiffany Chancel, 1923
Furness Burial Cloister Diagram
St. Stephen's in 1889
Leaflet for the Consecration of the Memorial Organ, 1907, courtesy of philadelphiastudies.org
Leaflet for the Consecration of the Memorial Organ, 1907, courtesy of philadelphiastudies.org
Leaflet for the Consecration of the Memorial Organ, 1907, courtesy of philadelphiastudies.org
